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Hermes (Museo Pio-Clementino)
The ''Hermes'' of the Museo Pio-Clementino, part of the Vatican collections, Rome, was long admired as the Belvedere Antinous, named from its prominent placement in the Cortile del Belvedere. It is now inventory number 907 in the Museo Pio-Clementino.
==Identification==
Its idealized face is not in fact that of Antinous, the Emperor Hadrian's beloved.〔This was recognized before Winckelmann (''History of the Art of Antiquity'', II), but the identification as Hermes was not proposed before Ennio Quirino Visconti in his 1818 catalogue of the Vatican museum. J. J. Pollitt, “Masters and masterworks”, in O. Palagia and J. J. Pollitt, ''Personal Styles in Greek Sculpture'', Cambridge University Press, p.8.〕 The cloak known as a ''chlamys'', thrown over the left shoulder and wrapped round the left forearm, and the relaxed ''contrapposto'' identify the sculpture as a Hermes, one of a familiar Praxitelean type. Today the sculpture is considered (in the most recent Helbig〔Wolfgang Helbig, ''Führer durch die öffentlicher Sammlungen klassischer Altertümer in Rom'' 4th ed. (Tün) 1963-72).〕) to be a Hadrianic copy (early second century CE) of a bronze by Praxiteles or one of his school.
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